Yo scale
The yo scale is a pentatonic scale used in much Japanese music including gagaku and shomyo. It is similar to the Dorian, but does not contain minor notes. The yo scale is used specifically in folk songs and early popular songs and is contrasted with the in scale which does contain minor notes. The in scale is described as more 'dark' while the yo scale is described as 'bright' sounding. It is defined by ascending intervals of two, three, two, two, and three semitones. An example yo scale, expressed in western pitch names, is: D - E - G - A - B. This is illustrated below. The Ryūkyū scale appears to be derived from the yo scale with pitches raised. More recent theory emphasizes that it is more useful in interpreting Japanese melody to view scales on the basis of "nuclear tones" located a fourth apart and containing notes between them, as in the min'yō scale used in folk music, and whose pitches are equivalent to the second mode of the yo scale: In India's Carnatic music, this scale corresponds to Udayaravichandrika.
The yo scale is a pentatonic scale used in much Japanese music including gagaku and shomyo.[1] It is similar to the Dorian, but does not contain minor notes. The yo scale is used specifically in folk songs and early popular songs and is contrasted with the in scale which does contain minor notes.[2] The in scale is described as more 'dark' while the yo scale is described as 'bright' sounding.[3]
It is defined by ascending intervals[clarification needed] of two, three, two, two, and three semitones. An example yo scale, expressed in western pitch names, is: D - E - G - A - B. This is illustrated below.
The Ryūkyū scale appears to be derived from the yo scale with pitches raised.[4]
More recent theory[5] emphasizes that it is more useful in interpreting Japanese melody to view scales on the basis of "nuclear tones" located a fourth apart and containing notes between them, as in the min'yō scale used in folk music, and whose pitches are equivalent to the second mode of the yo scale:[6]
In India's Carnatic music, this scale corresponds to Udayaravichandrika.
See also
[edit]Sources
[edit]- ^ Japanese Music, Cross-Cultural Communication: World Music, University of Wisconsin – Green Bay.
- ^ Titon, Jeff Todd (1996). Worlds of Music: An Introduction to the Music of the World's Peoples, p.372. ISBN 0-02-872612-X.
- ^ a b Chris Hiscock, Marian Metcalfe (1999). New Music Matters 11-14, p.49. ISBN 978-0-435-81091-7.
- ^ a b Minoru Miki, Marty Regan, Philip Flavin (2008). Composing for Japanese instruments, p.2. ISBN 978-1-58046-273-0.
- ^ Koizumi, Fumio (小泉文夫, Koizumi Fumio) (1974). Nihon no Ongaku: Rekishi to Riron (日本の音楽：歴史と理論) (Japanese Music: History and Theory), 76. Tokyo: National Theater of Japan.
- ^ Titon (1996), 373.
- ^ Susan Miyo Asai (1999). Nōmai Dance Drama, p.126. ISBN 978-0-313-30698-3.
Further reading
[edit]- Hewitt, Michael. Musical Scales of the World. The Note Tree. 2013. ISBN 978-0957547001.
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