Shango
Shango (Yoruba: Ṣàngó) is the Orisha (or deity) of fire, thunder, lightning, virility, dance, drumming, strength and justice in the Yoruba religion. Genealogically, Shango is a royal ancestor of the Yoruba as he was the third Alaafin of the Oyo Empire prior to his posthumous deification. Xangô, as he is called in Candomblé and various other Afro-Brazilian religions, is believed to have numerous manifestations as various historical and legendary figures, including Ayrá, Agodo, Afonja, Lubé, and Obomin. Ayrá is derived from another deity in Yorùbáland, the personification of thunder, that is often closely associated with Ṣàngó and is known variously as Àìrá, Àrá, Àrá-gbona etc. Shango is known for his double-headed battle-axe (Oṣé) and is considered to be one of the most powerful rulers in Yoruba history. In the New World, he is syncretized with either Saint Barbara or Saint Jerome.
| Shango | |
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| Member of | |
 Representation of Ṣàngó, National Museum of Brazil, Rio de Janeiro | |
| Other names |
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| Venerated in | Yoruba religion, Dahomey mythology, Ewe religion, Vodun, Santería, Umbanda, Candomblé, Haitian Vodou, Louisiana Voodoo, Folk Catholicism |
| Weapons | Oṣé |
| Day |
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| Color | Red and White |
| Region | Nigeria, Benin, Togo, Ghana, Latin America |
| Ethnic group | Yoruba people, Fon people, Ewe people |
| Festivals | Sango Festival |
| Genealogy | |
| Spouse | Oya, Oba, Osun |
| Children | Ibeji |
| Equivalents | |
| Vodún | Hevioso |
| Catholicism | Saint Barbara |
| Igbo | Amadioha |
| Part of a series on |
| Yorùbá people |
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Shango (Yoruba: Ṣàngó)[a] is the Orisha (or deity) of fire, thunder, lightning, virility, dance, drumming, strength and justice in the Yoruba religion. Genealogically, Shango is a royal ancestor of the Yoruba as he was the third Alaafin of the Oyo Empire prior to his posthumous deification. Xangô, as he is called in Candomblé and various other Afro-Brazilian religions, is believed to have numerous manifestations as various historical and legendary figures, including Ayrá, Agodo, Afonja, Lubé, and Obomin. Ayrá is derived from another deity in Yorùbáland, the personification of thunder, that is often closely associated with Ṣàngó and is known variously as Àìrá, Àrá, Àrá-gbona etc.[2][3] Shango is known for his double-headed battle-axe (Oṣé) and is considered to be one of the most powerful rulers in Yoruba history.
In the New World, he is syncretized with either Saint Barbara or Saint Jerome.
Historical figure
[edit]Historically, Ṣàngó was the third Alaafin of Oyo, following Oranmiyan and Ajaka.[3] He brought prosperity to the Oyo Empire.[4] According to Professor Mason's Mythological Account of Heroes and Kings, unlike his peaceful brother Ajaka, he was a powerful, bellicose and violent ruler. He reigned for seven years which were marked by his continuous campaigns and many battles. His reign ended due to the inadvertent destruction of his palace by lightning. He had three wives, namely Queen Oshun, Queen Ọba, and Queen Ọya.
Some of the slaves brought to the Americas were Yoruba, one of the various ethnic groups drawn into the Atlantic slave trade, and they brought the worship of Ṣàngó to the New World as a result. Strong devotion to Ṣàngó led to Yoruba religions in Trinidad and Recife, Brazil being named after the deity.[5]
Veneration of Ṣàngó
[edit]Yorubaland
[edit]Ṣàngó is viewed as one of the most powerful members of the orisha pantheon and is often described in two differing narratives.[6] In the first narrative, Ṣàngó casts a "thunderstone" to earth, which creates thunder and lightning, to anyone who offends him. Worshippers in Yorubaland in Nigeria do not eat cowpea because they believe that the wrath of the god of thunder and lightning would descend on them.[7] In the second narrative, Ṣàngó is gifted with the ability to breathe fire and smoke through his nostrils and is known for being angered by his quarrelsome wives. These narratives also encapsulate the virility, bravery, and governance of Ṣàngó.[6] While he was feared for tyranny and destructive powers, he was also highly revered for his bravery, fairness, and tremendous powers.[6]
The Ṣàngó god necklaces are composed of varying patterns of red and white beads, usually in groupings of four or six, which are his sacred numbers. Rocks created by lightning strikes are venerated by Ṣàngó worshipers; these stones, if found, are maintained at sacred sites and used in rituals. Ṣàngó is called on during coronation ceremonies in Nigeria to the present day.[8][9][5]
In Yorubaland, Ṣàngó is worshipped on the fifth day of the week, which is named Ojo Jakuta. Ritual worship foods include guguru, bitter cola, àmàlà, and gbegiri soup. Also, he is worshipped with the Bata drum. One significant thing about this deity is that he is worshipped using red clothing, just as he is said to have admired red attire during his lifetime.[10]
The Americas
[edit]Ṣàngó is venerated in Santería as "Changó". As in the Yoruba religion, Changó is one of the most feared gods in Santería.[8]
In Haïti, he is from the "Nago" Nation, and is known as Ogou Chango. Palo recognizes him as "Siete Rayos".
Candomblé
[edit]Ṣàngó is known as Xangô in the Candomblé pantheon. He is said to be the son of Oranyan, and his wives include Oya, Oshun, and Oba, as in the Yoruba tradition. Xangô took on strong importance among slaves in Brazil for his qualities of strength, resistance, and aggression. He is noted as the god of lightning and thunder. He became the patron orixa of plantations and many Candomblé terreiros. In contrast Oko, the orixá of agriculture, found little favor among slaves in Brazil and has few followers in the Americas. This is likely because the enslaved had no interest in praying to Oko for bountiful harvest for their enslavers. The main barracão of Ilê Axé Iyá Nassô Oká, or the terreiro Casa Branca, is dedicated to Xangô. Xangô is depicted with an oxê, or double-sided ax similar to a labrys; and a brass crown.[11][5][12]
Characteristics
[edit]- Consecrated day: Wednesday. December 4th
- Colors: white and red
- Elements: thunder, lightning, fire
- Sacred food: amalá (a swallow food made of yam, cassava flour, or unripe plantain flour called èlùbọ́)
- Instruments: oxê, a double ax; bangles; brass crown; Thunder Stones, or objects struck by lightning
- Garment: red cloth with printed white squares or cowrie shells
- Necklace or Elekes: white and red beads
- Archetype: power, dominance
- Sacred dance: alujá, the roda de Xangô. It speaks of his achievements, deeds, consorts, power, and dominion
- Sacrificial animals: fresh water turtle, male goat, sheep[12][11][13]
Amalá, also known as amalá de Xangô, is the ritual dish offered to the orixá. It is a stew made of chopped okra, onion, dried shrimp, and palm oil. Amalá is served on Wednesday at the pegi, or altar, on a large tray, traditionally decorated with 12 upright uncooked okra. Due to ritual prohibitions, the dish may not be offered on a wooden tray or accompanied by bitter kola. Amalá de Xangô may also be prepared with the addition of beef, specifically an ox tail. Amalá de Xangô is different than àmàlà, a dish common to Yoruba areas of Nigeria.[11]
In popular culture
[edit]- "Shango (Chant to the God of Thunder)" is a track from Drums of Passion, an album released by Nigerian percussionist Babatunde Olatunji in 1960.
- "Shango" is the title of a Hugh Masekela track on his 2016 album No Borders.
- The song "Que Viva Chango" by Celina y Reutilio refers both to Chango and to Santa Barbara.[14][15]
- Shango is the main protagonist of the famous 1963 play, Ọba kò so by Duro Ladipo.
- Shango is a large theme in the Mighty Sparrow song "Congo Man".
- Caliban invokes Shango in Aimé Césaire's play Une Tempête (A Tempest).[16]
- The graffiti "CHANGO", written in large red letters in Herman Braun-Vega's portrait of Wifredo Lam (collection of the Centre National des Arts Plastiques),[17] refers to Lam's African cultural heritage.[18]
- Shango appears as a minor character in The Iron Druid Chronicles by Kevin Hearne.
- "Shango" is a bonus track on Guadalcanal Diary's album 2x4.
- Chango is portrayed by Wale in season 3 of American Gods.[19]
- FC Shango is an American men's recreational football club based in Minnesota and was formed in 1992. Competing in the highest division in amateur soccer in Minnesota, FC Shango won the state amateur soccer tournament in 2017, and currently has three teams: MASL D2, MSSL O40, and O50. They are the 2023 over 50 Masters League champions of the Minnesota Senior Soccer League MSSL. [1].
- Shango is the fifth album released by the multi-genre trance group Juno Reactor.
See also
[edit]Notes
[edit]- ^ Also known as Changó or Xangô in Latin America; as Jakuta or Badé; and as Ṣangó in Trinidad Orisha[1])
References
[edit]- ^ Salamone, Frank A. (2004). Levinson, David (ed.). Encyclopedia of Religious Rites, Rituals, and Festivals. New York: Routledge. p. 24. ISBN 0-415-94180-6.
- ^ Adeoye, C. L. (1989). Ìgbàgbọ́ àti ẹ̀sìn Yorùba (in Yoruba). Ibadan: Evans Bros. Nigeria Publishers. pp. 285–302. ISBN 9781675098.
- ^ a b Bascom, William Russell (1980). Sixteen Cowries: Yoruba Divination from Africa to the New World. Indiana University Press. p. 44. ISBN 0-253-20847-5.
- ^ Lum, Kenneth Anthony (2000). Praising His Name in the Dance. Routledge. p. 231. ISBN 90-5702-610-4.
- ^ a b c Voeks, Robert (1997). Sacred leaves of Candomblé: African magic, medicine, and religion in Brazil. Austin: University of Texas Press. p. 55. ISBN 9780292787315.
- ^ a b c Tishken, Joel E., ed. (2009). Sango in Africa and the African Diaspora. Indiana: Indiana University Press. pp. 218–219. ISBN 9780253220943.
- ^ "Sango spit fire in Oyo @ World Sango Festival 2016 Mp3 İndir". mp3indir.icu. Retrieved 2019-06-10.[dead link]
- ^ a b Murrell, Nathaniel Samuel (2010). Afro-Caribbean Religions : an Introduction to Their Historical, Cultural, and Sacred Traditions. Philadelphia: Temple University Press. pp. 32–33. ISBN 9781439900406.
- ^ Onifade, Olasunkanmi Adeoye (2006). ". Perception of Health educator about the effects of food taboos and fallacies on the health of Nigerians" (PDF). Educational Research and Development: 44–50. Archived from the original (PDF) on 4 June 2016. Retrieved 13 May 2016.
- ^ Johnson, History of the Yorubas, 149-152.
- ^ a b c Lody, Raul (2003). Dicionário de arte sacra & técnicas afro-brasileiras. Rio de Janeiro: Pallas. pp. 38, 195–197. ISBN 9788534701877.
- ^ a b Hargreaves, Patricia, ed. (2018). Religiões Afro: as origens, as divindades, os rituais. São Paulo: Abril. p. 28. ISBN 9788569522492.
- ^ Magalhães, Elyette Guimarães de (2003). Orixás da Bahia (8a ed.). Salvador, Bahia: Secretaria da Cultura e Turismo. pp. 155–156.
- ^ "- YouTube". YouTube.
- ^ "Que Viva Chango lyrics by Celina & Reutilio".
- ^ Césaire, Aimé (2010). A tempest. Alexandria, VA: Alexander Street Press.
- ^ Braun-Vega, Herman (1979). "Portrait de Wifredo Lam". cnap.fr. Archived from the original on 2026-01-13. Retrieved 2026-02-06.
- ^ Morice, Nathalie (September 2004). "Estudio del retrato de Wifredo Lam". La memoria cultural y la memoria politico-social en la pintura de Herman Braun-Vega [Cultural Memory and Politico-Social Memory in Herman Braun-Vega's Painting] (in Spanish). Université de Nice Sophia-Antipolis. pp. 59–63.
- ^ Abbey White (2021-01-31). "Why Chango From American Gods Season 3 Looks So Familiar". Looper.com. Retrieved 2021-02-01.
Bibliography
[edit]- Johnson, Samuel, History of the Yorubas, London 1921 (pp. 149–152).
- Law, Robin: The Oyo Empire c. 1600 – c. 1836, Oxford 1977.
- Seux, M.-J., Épithètes royales akkadiennes et sumériennes, Paris 1967.
- Tishken,Joel E., Tóyìn Fálọlá, and Akíntúndéí Akínyẹmí (eds), Sàngó in Africa and the African Diaspora, Bloomington, Indiana: Indiana University Press, 2009.
Further reading
[edit]- Charles Spencer King, "Nature's Ancient Religion: Orisha Worship & IFA" ISBN 1-4404-1733-4
- Charles Spencer King, "IFA Y Los Orishas: La Religion Antigua De LA Naturaleza" ISBN 1-4610-2898-1
External links
[edit]
- Santeria.fr: All about Shango Archived 2016-09-17 at the Wayback Machine
- Santeria.fr: Todo sobre Shango Archived 2015-09-24 at the Wayback Machine
- Santeria.fr: Tout sur Shango
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